After the atmospheric Half Moon Lake, Kirsten Alexander is back with Riptides, a novel that explores actions and consequences, and how personal deeds can have ramifications at a far greater level. Although this is her second published book, she actually wrote it first. In this interview, she shares the steps that led to its publication as well, insights to her writing process and thoughts about learning from the past.
Wouldn't it be great if we had a surefire formula for publishing success? Should you conform to genre conventions and write about topical issues, or remain true to your instincts? Well look no further – to answer this question, I've developed the Publishing Success Flowchart.
Are you in a mad scramble to finish your Christmas shopping? Let me take some of the sting out of it for you. For your book-lover friends, here are ten book ideas from interviews I've done with female authors I've met through various writing activities. The books vary in style, length and genre, so there should be something for everyone: contemporary or historical, memoir or fiction, romantic or gritty.
In my last blog about Houston, I wrote about the first school production I did with The Woodlands Preparatory School. Being a mad sucker for punishment, and figuring that the first time you do something is always the hardest, I agreed to produce the next year's show. We brought the whole team back together, including Jacquie Fox in her lead role.
Mansfield, gateway to Victoria's high country, has a thriving community of local producers. Here is your guide to finding products made in or around Mansfield.
Award-winning author Kate Murdoch is about to release her second novel, The Orange Grove, which delves into the murky relationships between the five mistresses of a nobleman in early 18th century France.
Think of your book proposal as a business plan for your book. It explains your book's content, the need it fills and where it fits in the market. Further, it positions you, the author, as the most qualified person to write and promote the book.
A week to write, cast and rehearse a show was a big ask, but was it impossible? Not for a director who's been pitching for three years to secure the opportunity to produce a show. And not for a writer with a script in the wings that she was longing to push onto stage.
During my Lagos years, working with Buddy Agedah, I became the staff writer for Dance & Art Alive under the name Jo Demmer.
I had a math teacher at school who used to say, "I'm a mathematician, not an arithmetician." She loved the logic of maths, but made errors in addition or multiplication. This is a bit like my style of editing. I love structural and line edits, but I can overlook details.